Holiday Hell (2019)

Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.

Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.

Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary