Smedley is the manager of Balancing Rock Canyon where various boulders are perched atop high poles. As Smedley explains, the slightest noise is enough to send the rocks tumbling ("You gotta be quieter than a goldfish in a sound-proof aquarium") so it's hardly a surprise that he panics when Chilly Willy arrives selling various loud noisemakers among them firecrackers, a "boomerang brick", a joy buzzer, novelty gun, and exploding telephone.
The film is trying to revive DC's former glory, it really is, it just doesn't have everything it needs to get there. Luckily, Black Adam isn't as bad as many internet haters want you to think it is.
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.
