Feudal melodrama: Veena (Jamuna), daughter of an exploitative landlord and wife of the drunkard Chunilal (Shivdasani), defies her family and fights for the exploited peasantry. In the process she falls in love with the poor Madhu (Nandrekar). When her evil husband cannot undermine the peasants' unity he commits suicide. The heroine is disinherited by her father, but remains committed to nationalism. The film prominently deploys Gandhian symbols (e.g. the spinning wheel), and contrasts an idyllic notion of erstwhile India to the penury of its people today.
"Warrior" is a Bruce Lee written and inspired story that follows a diverse cast of Chinese American characters and does a terrific job of setting the story in 1878 San Francisco - all without pulling their punches with the systemic racism, discrimination, and struggle for power that old and young immigrants that crossed the country at that time had to go through.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
The iconic title character stars in her own horror and gothic TV series.
If you identify as part of the queer community, or if you love old school slasher flicks, you will love this movie.
Michael Shanks’ Together is a queasy, hilarious, and surprisingly heartfelt body-horror trip that fuses love and terror in the most literal sense. Starring real-life couple Dave Franco and Alison Brie, this midnight gem twists Plato’s soulmate myth into a gory, darkly funny tale of codependency, cults, and chainsaws — equal parts romance and nightmare.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
