The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

The violinist, Irmgard Hitzig, is 89 and can’t sit up straight in her armchair any more. Nonetheless her passion for music is fierce and she approaches her work as a music teacher with an unrelenting vigour. Uisenma Borchu’s depiction of this very special woman emerges from their dialogue and interaction. This is not a classic portrait, rather the record of an encounter.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
Written and directed by Rian Johnson (Looper, Star Wars Episode VIII: The Last Jedi), Knives Out was one of the most clever and intricately crafted films of 2019.
A cat-and-mouse chase that will make viewers nostalgic for the cartoon series.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.