
Young photographer Andy is commissioned to take advertising photographs of the film star Hanna Peters. She is on holiday, and to his confusion and bewilderment Andy finds that her twin sister works in Hanna's hotel. The comedy of errors that arises keeps Andy on tenterhooks until he finds his true love in sister Renate.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
“There’s always something you can do…to make people feel like they’re welcome”