
A parliament member's sixteen year old daughter Agatha falls in love and runs away with a convicted young tramp, while her father uses his friends in the government and police to brutally break their happiness.
"Spider-Man: No Way Home" isn’t just a movie; it’s an experience. It's one of the best superhero movies thanks to the amazing writing, the fantastic performances from the actors, and a healthy helping of fan service.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Adventure Time, Legend of Korra, Steven Universe, The Loud House, The Hollow, OK-K.O.! Let’s Be Heroes, The Dragon Prince, etc!
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.