Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
High Strung poster

High Strung (1992)

Thane Furrows, an extremely cynical but unintentionally hilarious children's book writer, wakes up one morning, and, since pretty much everyone and everything annoys him, begins another day of complaining to himself. However, the day proves to be much different than normal when Thane begins to recieve strange phone calls, letters, and voices in his head, all indicating that something will happen at 8 o'clock. As the day goes on, Thane rants and raves about the things that annoy him, as the clock slowly ticks closer and closer to his destiny.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Thane Furrows, an extremely cynical but unintentionally hilarious children's book writer, wakes up one morning, and, since pretty much everyone and everything annoys him, begins another day of complaining to himself. However, the day proves to be much different than normal when Thane begins to recieve strange phone calls, letters, and voices in his head, all indicating that something will happen at 8 o'clock. As the day goes on, Thane rants and raves about the things that annoy him, as the clock slowly ticks closer and closer to his destiny.

Rating:PG
Genre:Comedy
Directed By:Roger Nygard
Written By:Robert Kuhn, Steve Oedekerk
In Theaters:1/8/1992
Box Office:$904
Runtime:94 minutes
Studio:Film Brigade

Articles You May Like


'Jack and Diane' Review: Wasted Potential

The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.

Andrea Amoroso