Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

Eighteen-year-old Vasya Tikhonova is travelling with her parents to a medical resort near Moscow, seeking treatment. She has a congenital heart defect, and her mother has always been overprotective. But when the Tikhonov family arrives, a murder is committed at the resort. And within seven days, Vasya’s life will change dramatically. She will meet her first love, she will take a big risk fighting for it, and she will make a discovery that is scary, but grants her freedom.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.