The resolute cleaning lady Adele Weiß is not thrilled that her lovely daughter Linda just wants to marry the naughty son of the arrogant textile entrepreneur Carl Morus. In order to break the ice, the children, who are willing to marry, arrange a dinner, during which Adele and Carl go crazy in all the rules of the art. When the children are suddenly no longer sure if they should step in front of the altar, and Carl discovers his heart for the life-smart Adele, it comes to some oblique entanglements.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
