This East German movie was co-produced with studios in Hungary and Yugoslavia, with many interesting location shots (border checkpoint to West Berlin, the Gellert bath in Budapest, and more). The plot is about French drug dealers, who obtain heroin somewhere in the Middle East, and smuggle it in several steps to East Berlin, and from there to France (or so it appears), killing when necessary. The hero is an officer of East German customs, who with detective work, some masquerade, and occasional violent action ultimately unravels the whole network, of course with the support of the local customs departments.
Heinz Thiel, Horst E. Brandt
Director
Günther Simon
Zollkommissar Peter Zinn
Günter Wolf
Hauptmann Kremm
Werner Dissel
Zollrat Donkenberg
Walter Lendrich
Milan Nemanja
Aleksandar Gavrić
Florian Garaschin
Eva-Maria Hagen
Danuta Tisza
Walter Jupé
Chevonne
Wolfgang Greese
Armiac
Alenka Rančić
Lucia Nemanja
Predrag 'Preža' Milinković
Ferri Nemanja
Gerhard Rachold
Derec
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
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Emily and Stephanie are back... just add gin and drama.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
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