"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

In the monotonous grunting of the machine, among the four walls, with one movement of his hand, heroes, love, hatred, countries, people, situations, words, feelings of a world so close, are getting alive, only because he wants it: actors, directors, sound and light operators are held in his hand, in his readiness and his agility. Only when he permits us to enter into the fantastic area of the cinema! He is the lonely hermit in his kingdom. They reveal him and he is revealed. The film projectionist, the unknown hero of cinema. As none knows him and perhaps he knows nothing about himself.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
GOAT (2026) opens to the chanting of a crowd: "Roots run deep!" The rest of the film goes on to echo that sentiment, offering gorgeous animation and a heartfelt story along the way.
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
A boy named Max experiences adventure within his own house while staying home alone.