Hermanas 

Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.

Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.

Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.

By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement

Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.