'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

Rachel's ambitious plans to hold a New Year party like those of old - together with Paul's determination to finally please his family after years of unimpressive fireworks displays - get corrupted; on Robin's suggestion, the family AirBNBs their own home in order to fund a New Year's Eve getaway to somewhere startlingly alike in suburban quality, with Paul's persistent boil necessitating the prerequisite of a sauna to quell it for good - which renders itself available in an unconventional method. Sue finds herself new friends in a slimmers' club whose activities seem directly antithetical to the group's aims, while Sam discovers the complexity of relationships after a mix-up results in an offensive gift to his new girlfriend.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
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Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
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We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.