Director: Adar Ezer, Noam Halabi-Snerman Produced by: Ron Bar Levy Photography: Noam Halabi-Snerman Editing: Adar Ezer Recording and Third Eye: Tomer Hirsch
There is no such thing as watching too many movies. Since we're still quarantined, I wanted to recommend another 19 movies for people to check out across Netflix, HBO Max, and more.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
