Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Hercules vs. the Giant Warriors poster

Hercules vs. the Giant Warriors (1965)

Hercules, having agreed to restore justice to Mycenae, confronts evil Prince Myles. The villain is invested with power over giant bronze warriors by his mother Pasiphaë, a sorceress in Hades. Myles assassinates the king and abducts his cousin, Queen Ate, through whom he plans to inherit the throne. Although Zeus temporarily removes Hercules' strength for killing Eurystheus, an innocent man framed by Myles, the god restores his powers. Hercules then saves Ate and destroys Myles, Pasiphaë, and the giant warriors.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Hercules, having agreed to restore justice to Mycenae, confronts evil Prince Myles. The villain is invested with power over giant bronze warriors by his mother Pasiphaë, a sorceress in Hades. Myles assassinates the king and abducts his cousin, Queen Ate, through whom he plans to inherit the throne. Although Zeus temporarily removes Hercules' strength for killing Eurystheus, an innocent man framed by Myles, the god restores his powers. Hercules then saves Ate and destroys Myles, Pasiphaë, and the giant warriors.

Rating:
Genre:Adventure, Action, Fantasy
Directed By:Alberto De Martino
Written By:Alessandro Ferraù, Roberto Gianviti
In Theaters:1/1/1965
Box Office:

Runtime:94 minutes
Studio:Unicité, Les Films Jacques Leitienne, Produzione Cinematografica (P.C.)

Articles You May Like


"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones