Involuntary Self-Isolation: Stranded On a Desert Island in “Sweetheart”
Sweetheart provides a stark example of self-isolation taken to its extreme.

While taking a morning workout, young prizefighter Danny Martin encounters Charlotte Hamilton in distress over her balky roadster. Martin wins his fight but is counted a loser by a crooked referee. Later, he is invited to a barbecue at Charlotte's home, but when John Hamilton, who strongly dislikes fighters, learns of Martin's profession, he shows him the door. Danny gives up his career for Charlotte and opens a health resort for obese millionaires. Hamilton and his prospective son-in-law, Penrod, arrive at the resort for treatment, and their indignation and disgust at the treatment provide comic complications. Learning that Danny and Charlotte have already eloped, Hamilton is at first furious, then resigns himself to their happiness.
Sweetheart provides a stark example of self-isolation taken to its extreme.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.