'Slanted': If You Can't Beat Them, Be Them
A dynamic journey of self-acceptance and identity.

A dynamic journey of self-acceptance and identity.
Fjord, like its story, is not a conclusion, but a beginning.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
One of my favorite aspects of My Movie Starring Paul Dano is its blend of illustrations and dream sequences within its mockumentary structure. As the script is written, we are shown how the movie Bear Naked Amazonians From Mars looks in Herman’s head, with all its retro b movie campy charm.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.