Baggage (2026): Surrealistic Visual Language and Confront the Past
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.

A group of friends go on a hunting trip on a bet to see who could kill a dangerous bear that's rumored to be killing people in the woods, but soon realize that it's not a bear that's killing people, but a deranged ex-army veteran.
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
A high-octane spy thriller where Hrithik Roshan and Jr NTR’s clash brings explosive action, stylish direction, and emotional depth. Here’s my take on what makes it a must-watch in the YRF Spy Universe.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.