Three bank robbers on the run happen across a woman about to give birth in an abandoned covered wagon. Before she dies, she names the three bandits as her newborn son's godfathers. Remade as Three Godfathers (1936) and 3 Godfathers (1949).
William Wyler
Director
Charles Bickford
Bob Sangster
Raymond Hatton
Tom 'Barbwire' Gibbons
Fred Kohler
'Wild Bill' Kearney
Fritzi Ridgeway
Mother
Joe De La Cruz
José
Walter James
Sheriff
Maria Alba
Carmelita
Buck Connors
Parson Jones
Jim Corey
Barfly (uncredited)
Mary Gordon
Choir Member (uncredited)
Edward Hearn
Frank Edwards (uncredited)
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
What happens to an inseparable bond when love for competing morphs into competing for love?