"The Lion King (2019)": Did Disney actually learn anything?
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"

Lonely since his wife left him and alienated from his daughter, a cantankerous voice-over artist strikes up an unlikely friendship with his regular deliveryman. Many suburbs away, an elderly widow loses her license to drive and turns to her wry younger neighbor for nostalgic cuddles and comfort. Meanwhile, a young urban sports fanatic meets a girl online and unexpectedly falls in love, though the trials the couple endure prove even more unexpected. Adam Reid's enchanting, compassionate debut weaves together the worlds of six lonely individuals as they negotiate the age-old process of giving and receiving love. It isn't easy, and it never happens the way they expect it, but for these isolated souls, there's an oddball magic in the way they make connections they never imagined.
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
As Andrew’s life begins to change, his passion for drumming soon becomes a spiraling obsession in the pursuit of perfection. Through the use of disturbing and abusive training methods, Fletcher puts Andrew through emotional and physical agony.
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.
"THANK YOU, Zach Creggar!" Back in 2022, this now established star in the horror film genre gave us the quirkily creepy, unexpectedly funny (at times!) cinematic gem that was "Barbarian". It felt like a cool breeze just washed over us as, for ONCE, the much traversed roads these films tend to go with got an upgrade of uniqueness without sacrificing the ambiance of uneasiness you desire.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.