"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

In post-war Armenia, physicist Artyom buries himself in work, haunted by the loss of his wife in WWII, unable to let go of the past. Meanwhile, young Tanya refuses to accept her stepfather, still waiting for her real father, missing in action for years. Their parallel journeys explore memory, loss, and the weight of history—both personal and national. As Artyom grapples with the dilemma of remembering versus forgetting, the film becomes a meditation on identity, time, and the inescapable pull of the past. Partially based on the life of prominent Soviet-Armenian scientist Artem Alikhanyan, Hello, It’s Me! is a deeply reflective exploration of history’s grip on both individuals and nations.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
A South Korean romantic drama film that brings a strong first love story.
It is up to the community to decide if this film is a force for enlightenment or not.
As a cultural touchstone, Jaws has launched a thousand parodies, tributes, and memorable quotes.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.