Hello Down There (1969)

The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.

In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.

This holiday movie serves as the prequel to the TV series The Really Loud House.

Not every silence is empty. Some are filled with things too heavy for words.

Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.

The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.