Underwhelming Presence
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.

"The Story of Hellrasier III" offers a half-hour discussion of the overhaul involved in the making of the delayed third film in the Hellraiser franchise, in which a cult horror format was consciously transformed into a mass-market product with an eye on the teen market and a sense of disappointment from the British crew of the first two films. - Frank Harrison
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets