“Bury Your Gays” Trope in TV and How “Wynonna Earp” Defies it
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
Hecate (1983)
Set amid the European community in an unspecified North African country, a colony on the verge of nationalism just before the war. And colonized is what happens to a French diplomat, Julien Rochelle, when he meets the mysterious beauty Clothilde de Watteville. Schmid 's favorite axiom, that love is projection, never had such a thorough airing. Is Clothilde really the wife of a French official now holed up in Siberia? Or is she Hecate, goddess of black magic and devourer of the Arab boys she meets far from the European quarter? Only our projections know for sure; for the rest, she is a "woman looking out into the night." Drawn from a novel by Paul Morand, who based the main character on his wife Helene, Schmid's film achieves an atmosphere of magic in which psychological credibility is not so much absent as irrelevant-a film that distances itself from the drama it invokes, perhaps as the elusive Clothilde turns her back on the madness she provokes.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Set amid the European community in an unspecified North African country, a colony on the verge of nationalism just before the war. And colonized is what happens to a French diplomat, Julien Rochelle, when he meets the mysterious beauty Clothilde de Watteville. Schmid 's favorite axiom, that love is projection, never had such a thorough airing. Is Clothilde really the wife of a French official now holed up in Siberia? Or is she Hecate, goddess of black magic and devourer of the Arab boys she meets far from the European quarter? Only our projections know for sure; for the rest, she is a "woman looking out into the night." Drawn from a novel by Paul Morand, who based the main character on his wife Helene, Schmid's film achieves an atmosphere of magic in which psychological credibility is not so much absent as irrelevant-a film that distances itself from the drama it invokes, perhaps as the elusive Clothilde turns her back on the madness she provokes.
Rating:
Genre:Drama, Romance
Written By:Pascal Jardin, Daniel Schmid
In Theaters:11/15/1983
Box Office:
Runtime:105 minutes
Studio:Les Productions Audiovisuelles, TSR, TF1 Films Production
Cast
Daniel Schmid
Director
Bernard Giraudeau
Julien Rochelle
Lauren Hutton
Clotilde
Jean Bouise
le consul de France
Jean-Pierre Kalfon
Massard
Gérard Desarthe
Le colonel de Watteville
Juliette Brac
Miss Henry
Patrick Thursfield
L'Anglais
Suzanne Thau
La tenancière du bordel
Raja Reinking
La fille du bar
Mustapha Tsouli
Ibrahim
Teco Celio
Le capitaine Berta
Articles You May Like
“Hunter”: When Enthusiasm and AI Aren’t Enough for a Coherent Story
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
‘Unknown Origins’: Cool Concept, Poor Execution
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
'The Mitchells vs. The Machines': Creative Kids vs. Practical Parents
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
'Double Dad': Who Is Her Real Father?
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
Holier than Thou Hypocrisy, as Seen in 'Yes, God Yes'
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.