
Sierra Young is a rising ingénue, making $10 million per picture. She's also a spoiled brat, partying all night, complaining on the set, unable to perform well. After a tantrum, in which she gets two black eyes, the director has her sent to a rehab clinic in a remote Utah town. Within a day, she's run away and is taken in by Nettie, who runs a bed and breakfast inn. Sierra also meets Nettie's grandson, Tyler, head of the local community theater. Sierra invents a name, tells Nettie a wild story, and reads for a part in Tyler's production of "Taming of the Shrew." Meanwhile, her entourage hires a private eye to find her. In a small town of real people, will she find herself first?
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.