‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Heavy Load
At a highway rest stop, a nameless and taciturn truck driver and her dog meet a colleague. In the middle of nowhere, a brief moment of encounter unfolds over the course of an evening. It’s about what was and what will be. The life down the road lies in leaving behind, in handing over, in the painful entrusting of a burden.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
At a highway rest stop, a nameless and taciturn truck driver and her dog meet a colleague. In the middle of nowhere, a brief moment of encounter unfolds over the course of an evening. It’s about what was and what will be. The life down the road lies in leaving behind, in handing over, in the painful entrusting of a burden.
Rating:
Genre:
Written By:Tobias Pichler
In Theaters:
Box Office:
Runtime:13 minutes
Studio:
Cast
Articles You May Like
'Army of the Dead' is Meh Enough Without the Forced Representation
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
There’s No Way That Spider-Man: No Way Home Hits Home
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
Hokum: A Balance of Cheapness and Luxury
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
‘Someone Great’: Loss In The City
When long-time couple Jenny and Nate break up so Jenny can pursue her journalism career, Jenny leans on her two best friends for one last epic night in the city.
'Alice' Doesn't Live Here Anymore
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'