
It was a simple rescue mission, but the team members were constantly in crisis due to the complicated relationships, and their partners were harboring murderous intentions. When they paid a heavy price to complete the mission, they suddenly realized that they had been caught in a huge conspiracy.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.