A 14-year-old coping with the divorce of her parents, a new school and typical teenage growing pains finds purpose and pride in a lost horse she cares for and trains for a state competition.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
Rules are nowhere to be seen in the harsh unfiltered reality of ‘Fair Play.’
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
A family comedy that combines fantasy and normal school life.
