Is Disney Finally Learning?
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.

Stalingrad, 1942: just as he is complaining about the "blockheads" who are in control, a German named Herbert gets hit. Fast forward forty years after the war to Munich's Hofgarten, where in front of the patched-up ruins of the Army Museum, Herbert reappears, mistakenly believing he is still in Stalingrad, which the victorious Germans have destroyed and rebuilt in the image of Munich.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
For those tranquil houses with white fences, what is happening behind every closed door?
Richard speaks with Dia Frampton about some of her experiences with acting and music.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.