Four couples. They form a circle, are of different nationalities and live in the big metropolises of the world. They are beautiful--a famous painter, a fashion model, a song star. When their profession forces them to move to a city where one of the couples of the circle lives, they share not only their apartment, but also one or the other spouse, as the case may be. Every year, it's a ritual, they all meet for a two-to-three week holiday with one of the couples. This year, they meet in Quebec, in a villa in the Laurentians, near a lake, far from civilization.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
The second film takes us on Peter's journey to be understood.
