“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

Starring director Abel Ferrara and writer Alissa Bennett, Head and Hands centers around a conversation regarding Pier Paolo Pasolini's life and death. Spiraling out from there, the story breaks into an unconventional and tangential narrative about love, hustlers, desire, drugs, conspiracy, film scripts, and the actress Zoë Lund. Head and Hands is a fascinating look at the obsessive forces at play and self-destructive tendencies that often accompany creative brilliance.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night