He...' is a story of a 13-year ragpicker boy Hari from the Slums of Mumbai who gets a chance to act in a short movie. Hereafter his friends call him Hero. Under the name 'Hero' he starts a journey, a journey which is all waiting and observing. Under his observation, he confronts the dark side of the society but practically he finds himself helpless. The name Hero gives him a new window to look at his harsh reality.
Women who pray together, play together. Very rarely would I describe a story about a group of punk rockers as “whimsical”, but such an engaging array of visual and comedic components make this stand-out new series the star that it is.
This glimpse into this world is so captivating that it is an easy must-see, nearly flawless, and exceptional in every way.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
This short film was an overall creative success.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
Gotham City Sirens needs a female voice behind the camera. So, on the chance someone from DC films is reading this, here are ten female directors who would be good choices for Gotham City Sirens.
