
The film tells the story of three families who produce enough to sustain themselves in a small town and live off what they produce. Talat, who runs a dairy farm, Bedrettin, who raises chickens, and Rıfkı, who bakes bread in the bakery he inherited from his father, are three friends who have lived in the same town since birth, raised their children together, and have never been apart since childhood. When Talat's child falls ill, life begins to change suddenly. The most important message the film conveys to the audience is defined as "hope."
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
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