“Onward” and Upwards!
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.

In May 2003, the Japan Aerospace Exploration Agency (or JAXA) launched an unmanned spacecraft of their own development to retrieve samples from an asteroid. Seven long years later, Hayabusa achieved its goal and was the first of any kind of craft launched from Earth to safely return samples of this kind to home base. The story was one of such great national pride for Japan, and in the wake of the tsunami and resulting tragedies in Japan it’s strong nationalistic message became the subject of no less than three rival films. Yukihiko Tsutsumi’s high-profile effort, simply titled Hayabusa (2011) starred the incomparable Toshiyuki Nishida. Most recently, Welcome Home, Hayabusa (2012) was released to Japanese audiences. Slipping in between those two was Hayabusa: The Long Voyage Home, concentrating on the people on the ground who helped return the probe safely.
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
This romance movie has strong representation of Taiwanese people.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.