Kamal commits various crimes to sustain his livelihood in the city. He is so cunning that he evades the authorities. His heart is hardened and he knows no mercy, because for him what matters is receiving substantial payment. One day Kamal is hired by Murad, a famous businessman, to murder his own wife named Ain because he wants to seize her wealth. Misfortune strikes when, on his way to kill Ain, Kamal is involved in a car accident in a village. He is subsequently rescued by Yusuf and his family.
When you first hear that there is a series on Netflix where the lead character’s wife dies from cancer and he becomes dangerously suicidal, you wouldn’t immediately assume that it’s a comedy.
If you’re looking for an engaging female-led film that touches on the genres of action, drama, and thriller, look no further than Le-Van Kiet’s "Furie".
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?
