'The Invisible Man' (2020): The Hiddenness of Domestic Abuse
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.

Harold Mortimer is the last of his clan. The old dilapidated castle is all he has left and he urgently needs money for renovation. Until now, he earned his living from tourists. But the ghosts, once helpful in scaring the numerous clientele, are staying away, because the whisky cellar is empty. Without ghosts, there are no tourists, no money, no renovation, no whishy, no ghosts.... a vicious circle. Enraged, he decides to get rid of the ghosts once and for all and chases them back to the graveyard where they once came from. There he meets the cemetery gardener Paolo. The two quickly become friends and decide to go to Spain together. Paaolo even owns a boat... But how will he make it to the sea? Can the enchanted fairy help them?
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
The heroes of the Mushroom Kingdom make their way to the big screen in this animated movie.
Incluvie's best movies with female leads. Check out this article which presents top 30 Female Protagonists in Film. The characters that made the cut are in essence - girls that kick butt, challenge stereotypes/gender norms.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.