Living People in "It Was Just an Accident"
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.

At the end of the 1980s, the first generation of Brazilian punk rock lived a cycle of violence and self-destruction. In the opposite direction, the beginning of the next decade sees the emergence of a powerful and tuned in generation that amplifies the echoes of punk, coming up with new subgenres. More politicized, united and socially conscious, the 1990s crop came along to put an end to the conflicts of the "old-timers" and bring new life to an engaged and active scene, ushering in new talent to the Brazilian music landscape, with important names such as No Violence, Agrotóxico, Ação Direta, Garage Fuzz, Dominatrix, among others.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
There is no aspect of this film that falls short, except perhaps in minor ways.
Behind all the action, 'Space Sweepers' is a surprisingly heartfelt and progressive story about building community.
Korean Dramas deserve your attention and not just the ones on Netflix.