Yin lives with his uncle, a compulsive gambler who's piling up debts. Both love May. Yin chauffeurs for the shady Mr. Tanakawa who's selling a stolen missile guidance system. Two young thieves seem to know all Tanakawa's moves. Who's tipping them off? Meanwhile, a ghost whom Tanakawa raped and murdered 40 years before wants revenge and enlists the help of an apprentice Taoist priest. Yin, the ghost, the young thieves, and the apprentice must rescue the kidnaped May and face the forces of guns and magic that Tanakawa musters.
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
