Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A divorced Professor of gynaecology leads a quiet life preferring his work and his own company to other people. However, his solitude comes to an abrupt end when a neighbour knocks on his door one day asking for help. A young girl in his office is pregnant. Alone and confused, Anna feels that an abortion is her only option, but her doctor has advised her that, if she goes ahead with the operation, it is unlikely she will be able to have children. The Professor reluctantly agrees to examine her, but when he confirms his colleague's diagnosis, Anna is distraught.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
Friendships are tested when two girls have a crush on the popular boy at school.
Black Panther was obviously an epic movie and big hit! It was the highest-earning superhero movie of all time in the US! It's pretty clear that Black Panther has more meaning for race and diversity than your average Marvel superhero movie. This movie means a lot in terms of black pride and representation - and has much cultural significance in America as a whole.
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.