'Neon Gravity | Metaverse 7' - MiamisFF Review
Neon Gravity is an assassin who realizes that her target, as well as her current reality, are not what they seem. This short film is a futuristic story that takes place in Downtown Miami.
Hammerfall: Gates of Dalhalla (2012)
Seldom has a relatively young band such as Hammerfall had so much influence on the metal scene. The Swedish heavy metallers have had their ups and downs, but their 15 year old legacy is packed with great albums and songs many consider modern-day heavy metal anthems. Gates of Dalhalla is the band’s second live album, recorded during a very special show in their homeland.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Seldom has a relatively young band such as Hammerfall had so much influence on the metal scene. The Swedish heavy metallers have had their ups and downs, but their 15 year old legacy is packed with great albums and songs many consider modern-day heavy metal anthems. Gates of Dalhalla is the band’s second live album, recorded during a very special show in their homeland.
Rating:
Genre:Music
Written By:
In Theaters:12/5/2012
Box Office:
Runtime:145 minutes
Studio:Nuclear Blast
Articles You May Like
Is Netflix’s 'Single All The Way' the “Answer” to Hulu’s 'Happiest Season'?
In the LGBTQ+ holiday rom-com wars, 'Single All The Way' may or may not be the “answer” to 'Happiest Season.'
There’s No Way That Spider-Man: No Way Home Hits Home
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
'Dune' Disappoints
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
Magic in the 'Moon Knight'
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.
The Rape Post-Memory in 'Grbavica'
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.