The Relentless Victimization of Marilyn Monroe in "Blonde"
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.

Vishal (Rishi Kapoor) comes from a wealthy Hindu family. His father is well known Chandraprakash Singh (Amrish Puri), and his mom is a housewife, Sharda (Asha Parekh). Vishal falls in love with a young Catholic girl, Ruby Miranda (Farha). While Ruby's dad (Alok Nath) approves of the marriage, Chandraprakash does not, and will not even hear of his son marrying someone not of equal status in wealth, leave alone a different religion. He is all the more enraged when he learns that Vishal is not really his son.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.