Reflecting on 'The United States vs. Billie Holiday'
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.

Ammar (Amr Saad) is young artist, who falls in love with wealthy girl Nadine (Dorra), but her rich uncle Mahdy disapproves . They decide to get married without his knowledge. But Mahdy's men kidnap Nadine, severely beat Ammar and put him in prison after which his life completely changes.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.
Through three intricately crafted seasons of television, "Hannibal" has managed to make itself into the best incarnation of the self-titled work.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.