"Hacking for the Commons", this 87 minute long documentary takes us to meet with those who, from India to the United States via Europe, are experimenting with the emancipation tools of "free software" in order to bring concrete solutions in a multitude of fields in which collective practices known as "open" - thus "non-proprietary" - are spreading : in agriculture, with "free" seeds, in health, with Open Source medicines, or in education, thanks to a free access to knowledge... Resistants of the "Free" software field see it as a philosophical and political issue, as much as a societal choice, while the contributory and emancipatory practices of "Free" software are beginning to spread far beyond the IT field alone, for the benefice of the Commons...
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.
