Dia Frampton Talks Her Career and Roles
Richard speaks with Dia Frampton about some of her experiences with acting and music.

Richard speaks with Dia Frampton about some of her experiences with acting and music.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time