Animal Farm: Viva la Dystopia
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.

37-year-old Michael Grothe is a German teacher at a secondary school in Berlin. Not an easy job. But Grothe loves his job, he is a committed teacher - too committed, because his private life is suffering as a result. His marriage has broken down, and his budding relationship with his colleague Lisa Kranz hardly stands a chance against the passion with which Grothe is a teacher. His class is the most important thing to him. The difficult Nico is particularly close to Grothe's heart. He doesn't want to give up on him and tries to encourage him. In doing so, he gets too involved with him and oversteps both Nico's and his own boundaries. He not only loses contact with the other pupils in his class, but also with his own life.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.