The grim routine of suicides, murders, shootings and mass killings in North America is as much in the streets and schools as it is in the home. The subject of firearms is controversial – and the presence of weapons in the home leaves no one indifferent. For some, guns represent a potential threat; for others, it is a legitimate right. However, if firearms arouse a fascination associated with power, force and strength, then surely the possession of one needs to be questioned. A review of our time and the question of arms, this film talks of a controversial, destabilizing and explosively hot topic.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
A lot of us are emotionally impacted by the current pandemic. So, while we’re all stuck here in our homes, it’s great to put on a movie to ease the stress. With that, I made up a small list of some of my favorite feel-good movies.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
The legacy of this movie starts off the film series with a bang of magic, plot twists, and battles.
This film is based off of The Diary of a Young Girl, which was written during the Holocaust period.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
