
For years, Julius Arile and Robert Matanda thrive among the bands of warriors that terrorize the North Kenyan countryside. So when both warriors suddenly disappear from the bush, many assume they are dead or have been arrested. Instead, they trade in their rifles for sneakers—in the hopes of making it big as professional marathon runners. Years of fleeing from the police have prepared the men for running marathon distances, but do they have what it takes to overcome the corruption, mistrust and jealousy that threaten to derail their careers?
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
Taika Waititi and the cast of Thor: Love and Thunder have been hyping up the gayness of this movie, and while there are queer characters, it's not quite the representation we were hoping for.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.