Short Film Spotlight: An A Peel for Justice by Jeff Aquino
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".
Guilty or Not Guilty (1932)
Ruth Payne, innocent to begin with, is trying to extradite herself from the clutches of a gang-mob who obtained her release from prison on a falsified confession because they thought she knew something they didn't want known.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Ruth Payne, innocent to begin with, is trying to extradite herself from the clutches of a gang-mob who obtained her release from prison on a falsified confession because they thought she knew something they didn't want known.
Rating:
Genre:Action, Adventure, Crime
Written By:Frances Hyland
In Theaters:11/15/1932
Box Office:
Runtime:70 minutes
Studio:W.T. Lackey Productions
Articles You May Like
“Madeline’s Madeline” and the Exploitation of Actresses
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
'Hawkeye' Episode 3 Review: Echo Steals the Show
Hawkeye episode 3 has arrived and it feels like we’re finally getting started! This episode features the debut of Maya Lopez aka Echo, a Deaf Indigenous hero with a prosthetic!
Disney's ‘From Our Family to Yours’ Passes Down the Magic of the Holidays
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.
Leviticus (2026) Delivers a Braver Kind of Romantic Horror
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
Gretel & Hansel Gets Lost in Its Beautiful Woods
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.