Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Guest of Cindy Sherman poster

Guest of Cindy Sherman (2008)

Videographer Paul H-O must confront issues of ego and identity when he begins a relationship with the reclusive Cindy Sherman. With unprecedented access, the documentary places us in the company of the artist and offers a critique of the ever-inflated New York art market and the culture of celebrity. Written by Anonymous
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Videographer Paul H-O must confront issues of ego and identity when he begins a relationship with the reclusive Cindy Sherman. With unprecedented access, the documentary places us in the company of the artist and offers a critique of the ever-inflated New York art market and the culture of celebrity. Written by Anonymous

Rating:
Genre:Documentary
Written By:
In Theaters:4/27/2008
Box Office:

Runtime:88 minutes
Studio:CreativeChaos vmg

Articles You May Like


Amazon Prime's Pretty Lethal: Makes No Sense, Is No Fun

I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before. 

Jo Moses

"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Kirk Fernwood