Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Guerillas in Pink Lace poster

Guerillas in Pink Lace (1964)

An American gambler masquerades as a Catholic priest during the fall of Manila early in World War II in the Pacific to obtain clearance to fly out on an official military transport. Five American showgirls wrangle a pass with the aid of a helpful U.S. Army colonel to leave on the same plane. Ironically, the transport crashes at sea. The gambler and the girls wind up on a Japanese held island. Initially, they stay out of sight from the enemy, but inevitably things change.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


An American gambler masquerades as a Catholic priest during the fall of Manila early in World War II in the Pacific to obtain clearance to fly out on an official military transport. Five American showgirls wrangle a pass with the aid of a helpful U.S. Army colonel to leave on the same plane. Ironically, the transport crashes at sea. The gambler and the girls wind up on a Japanese held island. Initially, they stay out of sight from the enemy, but inevitably things change.

Rating:NR
Genre:Adventure, War
Directed By:George Montgomery
Written By:Ferde Grofé Jr.
In Theaters:1/1/1964
Box Office:

Runtime:96 minutes
Studio:

Articles You May Like


"She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality

In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.

Andrea Amoroso